Hidden Histories: Interpreting Domestic Servitude in Post-Civil War Historic House Museums

By Lauren Canty, Patterson Curator

When one thinks of historic house museums, the mind typically conjures up images of grand houses and wealthy, famous families. However, the lifestyles interpreted in these museums were made possible by domestic staff. Domestic servitude has been a staple of wealthy and middle-class homes in the United States since before the beginning of the nation, but historic house museum scholars have found that interpretation of servants’ lives in post-Civil War sites is either completely missing or lacking depth (Lanier and Herman 1997, 40).

In Voices from the Back Stairs: Interpreting Servants' Lives at Historic House Museums, Jennifer Pustz discusses the results of a survey of post-Civil War historic house museums and how they interpret the lives of domestic staff. She finds that interpretation of servants' history is becoming more common, but one issue that these museums run into is a lack of artifacts and historical documents. Most information told about domestic staff is anecdotal and rarely gets into discussions of race, class, and gender (Pustz 2010, 38-39).

As JPPM prepares for the future opening of the Patterson Center to the public, it is important to use the collections to highlight the experiences of domestic staff in the house. JPPM is fortunate to have several resources to accomplish this.

Uniforms are a way to define one’s role in a space and visually distinguish them from others (Pustz 2010, 66). This 1950s green and white cotton gingham dress with a cotton apron is a daytime uniform (Figure 1) worn by female domestic staff at the Patterson’s River House property in York, Maine. It is evidence of the separation of staff from the Patterson family and their guests. The sturdy fabric of both the dress and apron would have stood up to the hard work and long hours of housework. It would have also been much simpler in design and construction than the clothing worn by the Pattersons and their guests.

Photograph of a plain grey and white maid's uniform with apron on dress form.
Figure 1. 1950s daytime maid's uniform with apron. Worn by maid at River House in York, Maine.

JPPM is also fortunate to have a robust oral history collection which includes that of the late Joyce Eiler (Figure 2), a Wallville resident who served as the Patterson’s maid, housekeeper, and later, caretaker at Point Farm during the 1970s and 1980s. In Voices, Pustz emphasizes that the way domestic staff addressed their employers and guests illustrates the home’s hierarchy. For example, Eiler says in her interview: "and then, of course when you go in the next morning to serve them breakfast or whatever, you know, you're going, "Good morning sir, good morning ma'am." You never call anybody by their name" (Eiler 2015; Pustz 2010, 51).

Photograph of group of individuals in front of front door of brick manor house. Person to the far right is wearing a maid's uniform.
Figure 2. Memorial Day Weekend 1987 at Point Farm. Left to right: Joyce Eiler, Mahmoud Hassan, Mary Marvin Breckinridge Patterson, Leonardo Santa Inez, and Fatima [surname unknown].

Architecture is another rich area for interpreting the domestic staff experience. The Pattersons' Point Farm home has a service wing composed of a staff lounge (Figure 3), kitchen, butler's pantry, servants' stairs, and a call bell system. Service wings are further evidence of the physical separation of employer and employee and the tradition of hiding the hard work of maintaining a home (Pustz 2010, 80).

Photograph of interior room, with television unit on floor, sofa with floral pattern, and pink armchair.
Figure 3.The Patterson Center staff lounge in 2013.

In both historic house museums and privately owned historic homes, service wings are often in danger during renovation projects, their original functions hidden behind new uses and technologies. In Everyday Architecture of the Mid-Atlantic, Gabrielle M. Lanier and Bernard L. Herman describe service wings as "imperiled elements" in renovation projects, whose demise, "results directly from their role as the workrooms in the house…" (Lanier and Herman 1997, 40).

Historic house museums have a responsibility to their visitors to interpret the many stories and different perspectives of life inside their homes. Though servant-employer relationships cannot be generalized, material culture, oral histories, and archival information can help us understand how race, class, and gender may have influenced these relationships (Pustz 2010, 60-61).

References

Eiler, Joyce

2015    Interview by Robert Forloney, 24 November. Transcript. Jefferson Patterson Park and Museum, Saint Leonard, Md.

Lanier, Gabrielle M., and Bernard L. Herman

1997    Everyday architecture of the mid-Atlantic: Looking at buildings and landscapes. Baltimore: The Johns Hopkins University Press.

Pustz, Jennifer

2010    Voices from the back stairs: Interpreting servants' lives at historic house museums. DeKalb: Northern Illinois University Press.

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