Glossary

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

B

Base

The bottom portion of a vessel, that comes in contact with the surface it rests on during normal use. Generally rounded or pointed end of a cone. Some Early Woodland pottery was made with flat bottoms.

Body

Clay or a mixture of clay and inclusions (temper) that is suitable for forming vessels or that has been fired into a vessel.

C

Castellation

An embellishment to the vessel rim producing a squared rather than rounded vessel orifice (mouth).

Clay

Fine grained sediment, with a particle size of less than two-thousandths of a millimeter.  Clay has the property of plasticity when wet.

Coil Construction

Manufacturing technique involving the forming and joining of narrow coils of clay to create the walls of a vessel.

Collar

A raised and extended mouths that begins at or just above the point of maximum diameter of the vessel and does not significantly reduce the opening relative to the body diameter.

Cord-impressions

Decoration on pottery made by directly pressing cord against the wet paste in horizontal, vertical, or diagonal bands and cirss-cross patterns.

Cord-marking

Method of surface treatment common on many wares. Cord-marked surfaces are often highly textured and marked by overlapping rows of cord impressions. Cords were wrapped around a paddle, which was used to create a surface bond between the clay coils through malleation.

Cord-Wrapped Stick

Decoration on pottery made by wrapping cordage around a stick or dowel and then pressing it against the wet paste in horizontal, vertical, or diagonal bands. This is also referred to as "cord-wrapped dowel" or "pseudo-cord decorated."

D

E

F

Fabric-impressions

Like cord marking, fabric impressions were a surface treatment created during manufacture. Sections of woven textiles, such as mats or basketry were wrapped around paddles that were used to create a surface bond between clay coils.

G

H

Hardness

The resistance of a material to surface damage, such as indentation, scratching, abrasion, or crushing. The hardness test used most commonly for archaeological pottery is the Moh’s Scale.

I

Incised

Method of decoration utilizing a sharp instrument such as bone, shell, or stone to create a series of designs made of rows or patterns of straight lines.

Inclusions

Naturally occurring particles in the clay, such as sand or mineral bits.

J

K

L

Lip

The edge of the vessel mouth.

Lug Handles

Handles added just below the rim added for either utilitarian purposes or decoration.

M

Moh’s Scale

A scale developed in the nineteenth century to test the hardness of minerals, and contains a series of minerals ranging in hardness from 1 (talc) to 10 (diamond). The mineral in the scale is drawn across the test piece to determine which mineral is sufficiently hard enough to mark the ceramic, thus measuring scratch hardness.

N

Neck

Section of a vessel located between the body and the rim. It is characterized by a constriction and change in orientation of vessel wall.

Net-impressions

Method of surface treatment created when knotted textiles, such as net were used to malleate vessels during manufacture.

Notching

Method of decoration that consists of producing a series of single lines on the rim or collar of the vessel.

O

Oxidizing Atmosphere

Oxygen-rich firing atmosphere.

P

Paddle Malleated

Finishing technique used to thin and shape a vessel by working a wooden paddle against stone or ceramic anvil held to the interior surface. Often the potter's hand was used as an anvil. Various textiles were wrapped around the paddle. see cord-marking, fabric-impressions, and net- impressions.

Paste

Clay or mixture of clay and inclusions.

Punctations

Method of decoration used to produce small circular indentations on the surface exterior.

Q

R

Reducing Atmosphere

Oxygen-poor firing atmosphere

Rim

Upper portion, including edge or lip, of vessel, at the mouth (orifice).

S

Sherd

Fragment or piece of a broken vessel.

Smoothed

Surface treatment performed by rubbing the vessel walls with a hard tool, such as a stone or potsherd, to produce a smooth surface.

Shoulder

The upper part of the vessel between the maximum diameter and the mouth

T

Temper

An agent purposely added to the paste in order to strengthen the clay, and improve its workability. Particles can range in size from very fine to several centimeters in size. Materials used in this region include crushed rock (i.e. geniss, quartz, hematite, and limestone), shell, sand, or clay nodules.

Texture

Surface quality of the vessel.

Type

A group of wares that share the same surface treatment.

U

V

W

Ware

A group of pottery that share similar methods of manufacture, paste, temper, and vessel form. They are also found in the same localities and are contemporaneous.

X

Y

Z